Bayeux Tapestry

The Bayeux Tapestry tells one of the most famous stories in British history – that of the Norman Conquest of England in 1066, particularly the battle of Hastings, which took place on 14 October 1066. The Bayeux Tapestry is not a tapestry at all, but rather an embroidery. The tapestry is some 68m long and is composed of several panels that were produced separately and then eventually sewn together to form one long whole. It was most likely made in England by English embroiderers, and while we do not have a precise date for when the Bayeux Tapestry was created, the academic consensus is that it must have been produced very soon after the events it depicts

A section of the Bayeux Tapestry showing several mounted Norman figures riding left across the scene. The men wear simple tunics and carry spears; their horses are stylised with patterned manes. On the right, a nobleman holds a falcon on his gloved hand, indicating a falconry scene. Decorative animals and small trees fill the border, and a line of Latin text runs above the figures.

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Two figures cut out from the Bayeux Tapestry and digitally rearranged, with one appearing to use an oversized needle and thread to embroider a mounted warrior below. The collage places the figures against a blank section of linen bordered by sections of the original tapestry.

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A scene from the Bayeux Tapestry shows a group of men sitting at a high

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A colourful illustration inspired by the Bayeux Tapestry, showing women embroidering scenes of medieval warriors, archers and a mounted knight onto a large piece of fabric. The tapestry is draped over a tree-stump table, with balls of coloured wool scattered around it.

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A dramatic black-and-white close-up of a horse’s face, focusing tightly on one eye. Light catches the eye and surrounding hairs while much of the animal’s face and the background remain in deep shadow.

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A visitor looks at the Bayeux Tapestry

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A detail from the Bayeux Tapestry showing a naked man in a contorted pose, with his genitals prominently depicted. The figure appears in one of the decorative borders that run above and below the tapestry’s main narrative.

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An aerial view of the River Brathay winding through the Lake District landscape towards Elter Water, surrounded by green fields and woodland. Sunlight illuminates the hills and colourful foliage, with mountains rising beneath clouds in the distance.

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Edgar the Aetheling is notably missing from the Bayeux Tapestry

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Harold Godwinson is proclaimed king of England in the Bayeux Tapestry. It may have been commissioned by a Norman but this magnificent artwork repeatedly acknowledges the English leader’s piety and courage. (Photo by Universal History Archive/Getty Images)

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Queen Emma and her sons, miniature in 'Encomium Emmae reginae', mid 11th century, British Library (Photo by Getty Images)

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The front facade of the prehistoric chambered tomb of Wayland's Smithy

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William the Conqueror (1027–87), king of England from 1066 when he beat Harold II at the battle of Hastings. (Hulton Archive/Getty Images)

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A scene from the Bayeux Tapestry depicting a naked man with an erection reaching out towards a naked woman, who is covering both her face and her pudenda with her hands | Credit: Bayeux Museum

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